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This elegant and beautifully constructed double
pedestal, knee-hole writing desk is an exceptionally fine colonial
example of what is sometimes referred to as a “Charles Dickens” desk.
The desk is small and beautifully proportioned; and in exceptional
condition. It is a highly functional and attractive piece of furniture:
a rare find.
The twin pedestals are supported on concealed iron casters with wooden
wheels. The pedestals are fully dovetailed top and bottom. The banks of
drawers on each side of the top have a locking system that is very rare
for such a writing desk. It adopts the Wellington chest system, where a
single key locks a hinged wooden bar over one side of each set of
drawers.
The desk has three useable surfaces, the centre one being raised and
sloped, with space for writing materials underneath. Each of the
surfaces has its original leatherette inset. The desk has its original
finish and patination. The main colour is orange/red, with brilliant
splashes of yellow (aged sapwood) on the panels within the kneeholes.
The original inspiration for the design of the desk appears to be the
(much more decorated and complex) “Writing Table” illustrated in Plate
XLI of Blackie and Son’s The Victorian Cabinet-Maker’s Assistant (1853),
written by Peter Thomson (see below). Simpler designs, obviously based
on the Thomson original, are by Booth (1864); Wyman (1877); and Light
(1881). Light’s is the closest design to the present desk.
Reference: Edward Joyce, Pictorial History of British Nineteenth Century
Furniture Design (1977), p 353).
Measurements: H: 41” x W: 46” x D: 24”
POA
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